Woman of Tokyo (東京の女)

  • 東京の女 (Woman of Tokyo)

3/6/23 (Mon)

Ozu’s superior 1933 mini-silent movie was supposedly filmed in just over a week when the director suddenly had time in his schedule; he was apparently filming while the script was still being completed. It sure doesn’t feel like it: though the sets are limited and confined, the characters are fully rounded, and the story says all it needs to say in 45 minutes – padded out, actually, by the odd inclusion of two minutes of an entirely different film by Ernst Lubitsch. (Even weirder, Ozu’s film was initially said to be based on a European novel, which Ozu revealed later to be a total invention. This is an original work written partly by him.)

The film is driven by a tremendous performance by Okada Yoshiko as Chikako, who works as a typist to support her younger brother Ryoichi (Egawa Ureo) in his studies. Continue reading

I Was Born, But… (生まれてはみたけれど)

  • 生まれてはみたけれど (I Was Born, But…)

11/19/20 (Thurs)

Ozu honed his craft in the silent era, and this 1932 film, coming at the tail end of that period, is one of the most lauded of all his works. Highly acclaimed from the start – it won the prestigious Kinema Junpo Award as the year’s Best Film – it remains a critical favorite.

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