Living With Mother (母と暮らせば), Soldiers in a Tree (木の上の軍隊)

  • 母と暮らせば (Living With Mother), 7/25/25 (Fri)
  • 木の上の軍隊 (Soldiers in a Tree), 7/25/25 (Fri)

Set respectively in Nagasaki and Okinawa, these are the final two dramas in what is considered Inoue Hisashi’s trilogy of post-war life along with Hiroshima-based Living With Father (aka The Face of Jizo), which I saw on stage last week. Today’s shows are archive films of the stage productions, shown as a special tribute on the 80th anniversary of the war’s end. The description “trilogy” is deceptive: while Inoue did plan the shows, his hugely popular Father of 1994, which became his signature piece, was the only one he actually wrote. The other two were picked up after his death based on his notes. Continue reading

Army on a Tree (木の上の軍隊)

  • 木の上の軍隊 (Army on a Tree)

7/7/25 (Mon)

Two soldiers in wartime Okinawa remain hiding in a tree Onoda-like for two years after the war without knowing that the hostilities have ended – the setting would seem ridiculous if it weren’t based on a true story. Okinawa-born Taira Kazuhiro’s film is adapted from a highly regarded stage play that the prolific Inoue Hisashi had been preparing to write at his death (only the title, copious notes, and reportedly two lines of dialogue remained). Having learned about the story in a newspaper article, Inoue had been working on it since 1985 and had finally scheduled a production in 2010, but passed away just three months before the show was to debut. Veteran Kuriyama Tamiya was tapped to take over the script, and the production, staged by Inoue’s troupe Komatsu-za, was finally staged in 2013. It has taken yet another dozen years for that to reach the screen.

It helps to know that Okinawans experienced a significantly different war than the rest of Japan, a brutal campaign in which their unspeakably callous treatment by mainland Japanese made them wonder which side was the real enemy. The Ryukyu Islands, which include Okinawa, do not share the same history and culture as the rest of Japan, analogous to Hawaii vs. the continental US, and there is a strong sense that they were essentially fed to the wolves, as amply recorded in museums in the prefecture. The film was significantly expanded from the three-character stage show.

Continue reading