Tag Archives: Fernando Trueba film

Belle Époque

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  • Belle Époque

6/27/25 (Fri)

Fernando Trueba’s 1993 Oscar-winning comedy was leaving Criterion at the end of this month, and having enjoyed his innovative They Shot the Piano Player, I decided on a whim to check it out.

The light-hearted film is set in the Spanish countryside in the early 1930s when the nation is tottering on revolution. The title refers to the director’s vision of the brief interlude between the toppling of the monarchy and the start of the Franco regime. Fernando, a handsome soldier and wide-eyed innocent, has gone AWOL after an unsuccessful uprising and is wandering the countryside. He is befriended by an old bohemian painter living alone in a sprawling house. They become close, helped by the boy’s cooking skills and companionship. When the man’s family is set to visit, Fernando decides to move on to Madrid to seek a future. As he is about to board the train, however, he gets a look at the man’s four nubile daughters just alighting – and decides to hang around a bit longer.

It’s pretty clear right away where this is going, but the fun is in getting there. Continue reading →

They Shot the Piano Player (Despararon al Pianista)

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  • Despararon al Pianista (They Shot the Piano Player)

4/20/25 (Sun)

A highly inventive documentary of 2023 about the strange disappearance of a seminal figure in the creation of bossa nova in the 1970s during a tour in Buenos Aires. The unique feature is that the film is animated: that doesn’t mean monsters or magic or talking animals or such, but a rendering of reality in animated style, as if they filmed the movie first and drew on top of it. On top of that, it is entirely hand-drawn and vividly colored, giving it a distinctive look and feel.

Fernando Trueba, who wrote the film and co-directed with Javier Mariscal (their animated Chico Y Rita was a hit some years ago), had become intrigued in the story decades earlier. He was taken by the playing of pianist Tenório Jr, a key figure in the early days of bossa nova, but discovered to his surprise that the musician had only made a single record as band leader. He learned that the 24-year-old musician suddenly vanished one night after leaving his hotel in Buenos Aires when his mistress sent him out to get a sandwich. Disappearances were not unheard of in Argentina during the years of military rule, but Tenório was an apolitical musician and a foreigner at that. No trace of the musician ever emerged, and his fate remained unknown. Trueba made it his mission to get to the bottom of it. Continue reading →