- Another Country, 6/9/14 (Mon), West End
- Wolf Hall, 6/11/14 (Wed mat), RSC
- Bring Up the Bodies, 6/11/14 (Wed eve), RSC
- Titus Andronicus, 6/12/14 (Thurs mat), Globe
- A Small Family Affair, 6/12/14 (Thurs eve), National
- Incognito, 6/13/14 (Fri), Fringe
- 1984, 6/14/14 (Sat mat), West End
- Hobson’s Choice, 6/16/14 (Mon), Regent’s Park Open Air
Curious Incident… (夜中の犬に起こった奇妙な事件)
夜中の犬に起こった奇妙な事件 (Curious Incident of the Dog in the Night)
4/19/14 (Sat), Tokyo
I had seen the London production last year (just a few weeks before the roof came crashing down during a performance) and was interested in seeing how the Japanese would approach the piece, especially in this much smaller space. Tickets were hard to come by because of the star, Morita Go, the idol singer who was so good in Kinkakuji a few years back.
The production was absolutely superb, making an equally compelling case for the material as in London. One excellent touch was the shift of the action from England to Japan – Christopher became Yukito, the trip from Swindon-London was Shizuoka-Tokyo, A-level exams became some sort of equivalent Japanese test and so on. The material was adapted so deftly that it didn’t feel at all like a foreign work, and it allowed the actors to behave normally instead of contorting themselves kabuki-like into their image of a Westerner. This approach is done at times for the classics, especially Shakespeare, but not enough for contemporary works. I hope this becomes a trend. Continue reading
Kabuki: Shinza the Barber (髪結新三)
Kabuki: 髪結新三 (Shinza the Barber)
4/17/14 (Thurs), Tokyo
I was interested in this play after seeing the Bunraku puppet version based on the same source just a few months back. It turned out to be different in every way. Continue reading
Hairspray (NBC Live)
Hairspray (NBC Live)
1/21/17 (Sat)
Hairspray was a surprising choice as one of the NBC Live offerings. It seems too new for reinvention: it closed on Broadway less than ten years ago, and a (misguided) film version was released around the same time, meaning that a good portion of the audience will have seen it in some form or other in the not-too-distant past. Also, it is not an iconic title like past productions The Sound of Music or Grease, nor were there many big names in the cast as in The Wiz. As much as I personally love musicals, I had to wonder where NBC thought they were going to find an audience. It does deliver a feel-good message in roughly the same musical style as the popular Grease, which maybe they thought would be an attraction. In any case, it’s a terrific stage show, and they had the very good sense to retain the inimitable Harvey Fierstein as the mother. Despite the low ratings from the actual broadcast last month, I was eager to catch it. Continue reading
Take Me Out (テイク・ミー・アウト)
テイクミーアウト(Take Me Out)
12/14/16 (Wed), Tokyo
A Japanese-language production of Richard Greenberg’s 2002 drama about a baseball player who comes out as gay and the consequences of that action. Continue reading
Hedda Gabler (Hungarian State Theatre Cluj)
- Hedda Gabler, Hungarian State Theatre Cluj, 12/10/16 (Sat), Tokyo
- Hedda Gabler, BBC film (1963), 12/11/16 (Sun)
This was a production by a Romanian group performing a Norwegian show in Hungarian in Japan – how’s that for globalism? This was part of the annual Ibsen Festival and one of three productions of Hedda (the others were in Japanese and Norwegian). The actors are from a Hungarian-speaking part of Romania, one of those oddities resulting from one war or other. I brought along a Hungarian friend among others to critique the translation. Continue reading
Noh: Mochizuki (望月)
Noh: 望月 (Mochizuki)
11/20/16 (Sun), Tokyo
Mochizuki belongs to a class of Noh works that actors aren’t allowed to do until they are deemed ready by their elders. As such, the lead’s performance was a big honor for him. In a lecture on the show a week earlier, he noted that the story was basically scratched out some centuries ago to give young performers a chance to do the popular lion dance from an even-higher ranking show called Shakkyo. Here it’s presented as a show within a show, so technically doesn’t violate the hierarchy keeping the unworthy actors from the lions, a very Japanese compromise — though the fact that this show is now itself a ranked show is ironic. Continue reading
Osaka Elegy, Sisters of the Gion (浪華悲歌 , 祇園の姉妹)
- 祇園の姉妹 (Sisters of the Gion), 11/6/16 (Sun)
- 浪華悲歌 (Osaka Elegy), 11/13/16 (sun)
The films that solidified Mizoguchi’s status as director in the mid 1930s. Continue reading
Arab Palestine and what might have been
A look back at the history of the Palestinian Arab territories since their transfer from Jordan to Israel in 1967. Continue reading
Gaza under Hamas: Hope is not an option
As with the last post, I’m throwing in another unpublished Israel-related article that I wrote during the last Gaza conflict in 2014 — last, of course, meaning previous, not final. There will never be a final conflict as long as Hamas is in power. I was far too optimistic on PA President-for-Life Abbas, but here it is as written. Continue reading
Palestinians can have their future but not our past
I found this long-ago essay on my PC while rummaging through my files. I had submitted this to the Japan Times in response to some typical twaddle they had featured on Israel; they really should learn to stick closer to home. In any event, the response was never printed, so I thought I’d throw it in here. I must have written this around 2006, when Ariel Sharon and Yasser Arafat were still on the scene, but it still holds up pretty well: Continue reading
Palestinian Arabs and Palestinian Jews
What is it about West Bank building projects that get the anti-Israel forces so excited? Continue reading