Curious Incident… (夜中の犬に起こった奇妙な事件)

夜中の犬に起こった奇妙な事件 (Curious Incident of the Dog in the Night)

4/19/14 (Sat), Tokyo

I had seen the London production last year (just a few weeks before the roof came crashing down during a performance) and was interested in seeing how the Japanese would approach the piece, especially in this much smaller space. Tickets were hard to come by because of the star, Morita Go, the idol singer who was so good in Kinkakuji a few years back.

The production was absolutely superb, making an equally compelling case for the material as in London. One excellent touch was the shift of the action from England to Japan – Christopher became Yukito, the trip from Swindon-London was Shizuoka-Tokyo, A-level exams became some sort of equivalent Japanese test and so on. The material was adapted so deftly that it didn’t feel at all like a foreign work, and it allowed the actors to behave normally instead of contorting themselves kabuki-like into their image of a Westerner. This approach is done at times for the classics, especially Shakespeare, but not enough for contemporary works. I hope this becomes a trend. Continue reading

Take Me Out (テイク・ミー・アウト)

テイクミーアウト(Take Me Out)

12/14/16 (Wed), Tokyo

A Japanese-language production of Richard Greenberg’s 2002 drama about a baseball player who comes out as gay and the consequences of that action. Continue reading

Hedda Gabler (Hungarian State Theatre Cluj)

  • Hedda Gabler, Hungarian State Theatre Cluj, 12/10/16 (Sat), Tokyo
  • Hedda Gabler, BBC film (1963), 12/11/16 (Sun)

This was a production by a Romanian group performing a Norwegian show in Hungarian in Japan – how’s that for globalism? This was part of the annual Ibsen Festival and one of three productions of Hedda (the others were in Japanese and Norwegian). The actors are from a Hungarian-speaking part of Romania, one of those oddities resulting from one war or other. I brought along a Hungarian friend among others to critique the translation.  Continue reading

Kung Fu

Kung Fu

3/20/14 (Sun), New York

Kung Fu, a portrait of Bruce Lee’s rise to fame, was a guilty pleasure. Other than the wonderful M Butterfly, I’m not wild about the author David Henry Hwang, who is obsessed with the tired theme of second-generation Asians struggling to adapt to America. (Bruce Lee, though raised in Hong Kong, was born in San Francisco and tried for years to make a life in the US.) I wish he’d go find his identity and come back with other ideas. And the reviews were lukewarm, which wasn’t encouraging. Still, the idea of a kung fu musical seemed so obvious that it immediately grabbed my attention.  Continue reading

Liolà

Liolà

10/27/13 (Sun), London, National Theatre

Liolà, a rather obscure Pirandello play, seemed an odd choice for the National Theatre. But if nothing else, it was being directed by Richard Eyre, soon to retire as the National’s artistic director after a spectacularly successful term. That seemed good enough reason to catch it.  Continue reading

Takarazuka Boys (宝塚 BOYS)

宝塚 BOYS (Takarazuka Boys)

8/7/13 (Wed), Tokyo

A dramatization of Hankyu Corporation’s efforts to create a male counterpart to its all-girl Takarazuka troupe after the war. Given the experiment’s failure and the setting amid the ashes of a defeated Japan, I assumed the play would be a standard weepie. But a friend invited me, and I figured it may at least have some camp value.

It was pretty much as feared. Continue reading

Greasepaint (化粧)

化粧 2

5/26/09 (Tue), Tokyo

This is a frequently revived one-woman show by the prolific Inoue Hisashi that’s been around since the early 1980s starring Watanabe Misako. Besides Japan, it’s been performed by Watanabe in Paris, London and the U.S. in Japanese, and there was a brief English-language production in London with Frances de la Tour under the name Greasepaint (much more evocative than the usual English title Makeup). The show was sold out throughout the entire run, but I was fortunate to get a same-day seat.
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London shows (June 2016)

  • How the Other Half Loves, 6/11/16 (Sat), West End
  • Showboat, 6/11/16 (Sat), West End
  • In the Heights, 6/12/16 (Sun), King’s Cross
  • Iris, 6/14/16 (Tues), Holland Park Opera
  • The Invisible Hand, 6/15/16 (Wed), Tricycle
  • Elegy, 6/16/16 (Thurs), Donmar
  • The Flying Lovers Of Vitebsk, 6/18/16 (Sat), Sam Wanamaker
  • The Comedy About a Bank Robbery, 6/19/16 (Sun), West End
  • Macbeth, 6/19/16 (Sun), Globe

Continue reading